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Tag: Music

  • Finding Your Creative Inner Voice

    Finding Your Creative Inner Voice

    Finding Your Creative Inner Voice

    In a world full of definitions, labels, and productivity metrics, mindfulness has become one of those words everyone uses , but few fully understand.
    When I was invited to speak on a podcast recently, I called the conversation “Finding Your Creative Inner Voice.” It felt like the most honest way to describe what mindfulness has taught me, both personally and professionally.

    1. Clearing up the misconceptions

    There are so many misconceptions around mindfulness today. It’s often seen as a purely cognitive exercise, when in truth its deepest point of reference is the body, the felt sense of being alive. Also, practices that are now packaged under names like “compassion” or “gratitude” were never separate from the original teachings. And while calmness or improved productivity are lovely potential outcomes, they were never the goal.

    Mindfulness is not just another tool to manage the mind; it’s the awareness that underpins many modern therapeutic models and the engine that quietly powers them. They were designed with mindfulness at their heart.

    2. The real definition — finding your own way

    During one silent retreat, a teacher offered a definition that has stayed with me ever since:

    “In its truest form, mindfulness is about someone finding their own way.”

    That struck me deeply. Because to find your own creative inner voice isn’t just about artistic expression but can be about discovering a creative way to be in the world, especially when life doesn’t fit into neat categories or expectations.

    Many of us find ourselves outside the structures that society assumes we should belong to. When that happens, reframing becomes essential. For me, that reframing happened through mindfulness and the rediscovery of my first love – music – which had been silenced for many years.

    3. How I came to mindfulness

    My introduction to mindfulness was, in some ways, accidental. I first heard the word mentioned briefly in a pain clinic I was attending for chronic pain. Something in me knew it was worth exploring further, and this intuition proved right.

    At the time, I was carrying a lot: years of physical pain, the weight of parental illness, the strain of unacknowledged trauma. Mindfulness was the only thing vast enough to meet what I held, with awareness, wisdom, and kindness. Little by little, it gave me a new foundation, one that helped me reframe what had always been pathologised into something profoundly human.

    4. Rediscovering music — the creative voice returns

    Music has always been a powerful thread in my life, one that, for many years, I kept quietly in the background. As a child, it felt like a second language to me, something I understood intuitively. But, circumstances led me to set it aside and over time, I internalized the belief that it wasn’t safe to fully express that part of myself.

    Through mindfulness practice, and learning to sit with and listen to what had been silenced, I began to reclaim that voice. Rediscovering music became a form of healing, but also a reminder of my own natural affinity with sound. When I play, there’s a clarity, richness, and resonance that others often comment on, a quality that feels authentic because it’s fully me. The sound is my voice coming through, unfiltered.

    Closing reflection

    Finding your creative inner voice isn’t about reinventing yourself. It’s about remembering what has always been there, waiting quietly beneath the noise. Mindfulness gives us the courage to listen not just to our thoughts, but to the deeper intelligence of the body and the heart. Whatever form it takes, it’s asking to be listened to.

    To listen to the whole conversation: click here

  • Embodied presence in performance

    Embodied presence in performance

    Time is never available in the quantity I’d like when getting ready for a musical performance – this always been more the case with so many competing weekly commitments. In the rare moments that I steal to reconnect with practice and familiarisation with the music, it strikes me that the deeper goal is to become increasingly at one with the instrument. What is it to apply mindful attention to instrumental practice?

    I return to embodiment, a key teaching of mindfulness.

    With the cello this means cultivating a growing fluidity between the fingers of the left hand and the motion of the right, bowing arm, so that both act in harmony, with ease and intention. This physical alignment directly shapes sound rather than being purely technical. My intention of sound quality is in terms of depth of expression and clarity.

    With the piano it’s about channelling the weight of the entire hand behind each finger, so that every movement is made with only the tension that’s truly needed. Each finger is supported by the hand, each hand by the arm, and the arms by the whole body – creating a chain of support that enables freedom, control and a resonance in the sound.

    With recorder, too, it’s about economy of motion, lifting each finger only as much as needed above the holes. Mastery comes from isolating fast, awkward combinations and working through them rhythmically, shifting emphasis across different notes to expose weaknesses and build precision.

    These embodied principles are at the heart of how I teach instrumental technique, moving beyond mechanical repetition into a space where technique enables expression and movement becomes music.